Телевизискиот медиум и драмата
Main Article Content
Abstract
Телевизијата како медиум има посредно и непосредно влијание на драмата и на театарот. Додека новите технологии на претставување ги реформираат или ремедираат претходните, суштината на телевизијата се дефинира као онтологија на животот, сродна со тетарот. Како аудиовизуелен масовен комуникациски медиум , телевизијата стана привлечна за гледачите со својата способност да пренесе слика на нешто што се случува во моментот, на некое друго мето. Нејзини суштински техники се непосредноста, интимноста, реализмот, згуснатоста, со помош на кои се создаваат специфичните видови телевизиски серии, како најпрепознатлив модел на телевизиска драма
Article Details
How to Cite
ПЕТКОВСКA, Нада.
Телевизискиот медиум и драмата.
Investigating Culture, [S.l.], n. 1, sep. 2015.
ISSN 1857-9116.
Available at: <https://journals.cultcenter.net/index.php/investigating/article/view/203>. Date accessed: 19 feb. 2025.
Keywords
драма, телевизија, актуелност, реализам, телевизиска серијa
Section
Macedonian articles
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
Култура/Culture by MI-AN is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
References
[1] Philip Auslander, .Presence and Resistance: Postmodernism and Politics in Contemporary American Performance. Ann Arbor: Universsity of Michigan Press, 1992.
[2] Philip Auslander,: Performance in a Mediatized Culture.London: Routledge,1999.
[3] Roland Barthes: Essais critiques. Paris, Edition du Seuil, 1964.
[4] Roland Barthes: Ecrit sur le théâtre. Paris,Editions du Seuil, 2002.
[5] Michel Corvin,: Dictionnaire encyclopédique du théâtre.Paris, Larousse, 2001.
[6] Деан Дамјановски,:Драмата во театарот и драмата во телевизијата. Докторска дисертација, ФДУ,Скопје,2013.
[7] Martin Esslin: The Age of Television. New Brunswik, New Jersey, 2002.
[8] Erika Fischer-Lichte: History of European Drama and Theatre. London. Routledge, 2002.
[9] Hans-Thies Lehmann: Postrdamsko gledališče, Ljubljana.2003.
[10] Marshal Mc Luhan,: Understanding Media: The Extension of Man. London&Neu York, Routledge Classics, 2001.
[11]Patrice Pavis: Vers une théorie de la pratique théâtrale: Paris, Presses universitaires du Septentrion, 2000.
[12] Patrice Pavis: Dictionnaire du théâtre . Paris, Editiones Sociales, 1980.
[13] Jean - Јacques Roubine: Lire le théâtre contemporain.. Paris, Dunod,1993.
[14] Jean - Pierre Ryngaert : Introduction à l’ analyse du Théâtre, Paris, Dunod, 1995.
[15] Tomaž Toporišič,: Ranljivo telo tekstа in odra. Ljubljana, Mestno gledališče ljubljansko, 2007.
[16] David Thorburn:Television as an Aesthetic Medium. Critical Studies in Mass Communication, Vol.4, No.2, 1984.
[17] Anne Ubersfeld: Lire le théâtre I,II,III (Lire le théâtre, L’école du spéctateur, Le dialogue de le théâtre). Paris, Edition Belin, 1996.
[2] Philip Auslander,: Performance in a Mediatized Culture.London: Routledge,1999.
[3] Roland Barthes: Essais critiques. Paris, Edition du Seuil, 1964.
[4] Roland Barthes: Ecrit sur le théâtre. Paris,Editions du Seuil, 2002.
[5] Michel Corvin,: Dictionnaire encyclopédique du théâtre.Paris, Larousse, 2001.
[6] Деан Дамјановски,:Драмата во театарот и драмата во телевизијата. Докторска дисертација, ФДУ,Скопје,2013.
[7] Martin Esslin: The Age of Television. New Brunswik, New Jersey, 2002.
[8] Erika Fischer-Lichte: History of European Drama and Theatre. London. Routledge, 2002.
[9] Hans-Thies Lehmann: Postrdamsko gledališče, Ljubljana.2003.
[10] Marshal Mc Luhan,: Understanding Media: The Extension of Man. London&Neu York, Routledge Classics, 2001.
[11]Patrice Pavis: Vers une théorie de la pratique théâtrale: Paris, Presses universitaires du Septentrion, 2000.
[12] Patrice Pavis: Dictionnaire du théâtre . Paris, Editiones Sociales, 1980.
[13] Jean - Јacques Roubine: Lire le théâtre contemporain.. Paris, Dunod,1993.
[14] Jean - Pierre Ryngaert : Introduction à l’ analyse du Théâtre, Paris, Dunod, 1995.
[15] Tomaž Toporišič,: Ranljivo telo tekstа in odra. Ljubljana, Mestno gledališče ljubljansko, 2007.
[16] David Thorburn:Television as an Aesthetic Medium. Critical Studies in Mass Communication, Vol.4, No.2, 1984.
[17] Anne Ubersfeld: Lire le théâtre I,II,III (Lire le théâtre, L’école du spéctateur, Le dialogue de le théâtre). Paris, Edition Belin, 1996.