Fine Arts as Means for Studying Media History
Abstract
Studying art as a manifestation of cultural memory can help us understand both collective and individual identities. Specific works of art can give us a sense of the artist while the content can also present a more general theme or social issue of a given era. Considering the number of artworks that reference (either as a major or minor topical element) mass communication, media seems to be a feasible theme. The topic of media and its specific appearances has varied significantly throughout the history of both art and media. The aim of this paper is to introduce a unique analysis that combines artworks that display the use of mass communication in Czech fine arts. The collected items were the subject of an interdisciplinary analysis – both historical and semiotic. So far, the relationship between media and art has not been explored within Czech media studies. Finding the connection between fine arts and the media can broaden the horizons of historical and social sciences. Representation of media by art points to the importance of media in any given historical period. Some examples can clearly show us how media were produced and consumed, as well as, in the later periods, used as a material for the creation or the art itself. The objective of this paper is to show the perspectives and limits of art as a source of knowledge about cultural memory and advantages and disadvantages of combining historical and semiotic analyses as applied to specific artworks.References
[1] P. BednaÅ™Ãk, J. Jirák, and B. Köpplová, DÄ›jiny Äeských médiÃ: Od poÄátku do souÄasnosti, 1st ed. Praha: Grada, 2011.
[2] A. Briggs and P. Burke, A social history of the media: from Gutenberg to the Internet, Cambridge, UK: Polity, 2002.
[3] A. Eell, A. Nünning and S. B. Young, Cultural memory studies: an international and interdisciplinary handbook. Berlin: De Gruyter, 2008.
[4] J. Hall, SlovnÃk námÄ›tů a symbolů ve výtvarném umÄ›nÃ, 2nd ed., V Pasece 1. Praha: Paseka, 2008.
[5] J.-L. Chalumeau, PÅ™ehled teorià umÄ›nÃ, 1st ed., Praha: Portál, 2003.
[6] T. Ježková, Média v Äeském výtvarném umÄ›nÃ, Praha: 2012, diploma theses, Charles University, Faculty of Social Sciences, Institute of Communication Studies and Journalism. Department of Media Studies, thesis supervisor: Doc. PhDr. Barbara Köpplová, CSc.
[7] J. Kulka, Psychologie umÄ›nÃ, 2nd ed., Praha: Grada, 2008.
[8] R. Laabs, Nicht nur für den Tag: Vier Jahrhunderte Zeitung in der Kunst, Frankfurt am Main : Propylaen, 1987.
[9] M. Lurker, SlovnÃk symbolů. Praha: Euromedia Group - Knižnà klub, 2005.
[10] O. Macková, Ed. Karel PurkynÄ› 1834-1868: Souborná výstava dÃla: Praha, duben 1962, Praha: Národnà galerie, 1962.
[11] A. Manguel, DÄ›jiny ÄtenÃ, 1st ed., Brno: Host, 2007.
[12] J. Pavel, DÄ›jiny umÄ›nà v ÄŒeskoslovensku. StavitelstvÃ, sochaÅ™stvÃ, malÃÅ™stvÃ, 2nd ed., Praha: Práce, 1978.
[13] D. Prokop, Obecná umÄ›novÄ›da: StruÄný pÅ™ehled a úvod, Praha: Gryf, 1994.
[14] I. Reifová, ed., SlovnÃk mediálnà komunikace, 1st ed., Praha: Portál, 2004.
[15] Ústav dÄ›jin umÄ›nà AV ÄŒR, DÄ›jiny Äeského výtvarného umÄ›nà III/1 1780–1890, 1st ed., Praha: Academia, 2001.
[16] V. Volavka, Karel PurkynÄ›, 1st ed., Praha: SNKLU, 1962.
[2] A. Briggs and P. Burke, A social history of the media: from Gutenberg to the Internet, Cambridge, UK: Polity, 2002.
[3] A. Eell, A. Nünning and S. B. Young, Cultural memory studies: an international and interdisciplinary handbook. Berlin: De Gruyter, 2008.
[4] J. Hall, SlovnÃk námÄ›tů a symbolů ve výtvarném umÄ›nÃ, 2nd ed., V Pasece 1. Praha: Paseka, 2008.
[5] J.-L. Chalumeau, PÅ™ehled teorià umÄ›nÃ, 1st ed., Praha: Portál, 2003.
[6] T. Ježková, Média v Äeském výtvarném umÄ›nÃ, Praha: 2012, diploma theses, Charles University, Faculty of Social Sciences, Institute of Communication Studies and Journalism. Department of Media Studies, thesis supervisor: Doc. PhDr. Barbara Köpplová, CSc.
[7] J. Kulka, Psychologie umÄ›nÃ, 2nd ed., Praha: Grada, 2008.
[8] R. Laabs, Nicht nur für den Tag: Vier Jahrhunderte Zeitung in der Kunst, Frankfurt am Main : Propylaen, 1987.
[9] M. Lurker, SlovnÃk symbolů. Praha: Euromedia Group - Knižnà klub, 2005.
[10] O. Macková, Ed. Karel PurkynÄ› 1834-1868: Souborná výstava dÃla: Praha, duben 1962, Praha: Národnà galerie, 1962.
[11] A. Manguel, DÄ›jiny ÄtenÃ, 1st ed., Brno: Host, 2007.
[12] J. Pavel, DÄ›jiny umÄ›nà v ÄŒeskoslovensku. StavitelstvÃ, sochaÅ™stvÃ, malÃÅ™stvÃ, 2nd ed., Praha: Práce, 1978.
[13] D. Prokop, Obecná umÄ›novÄ›da: StruÄný pÅ™ehled a úvod, Praha: Gryf, 1994.
[14] I. Reifová, ed., SlovnÃk mediálnà komunikace, 1st ed., Praha: Portál, 2004.
[15] Ústav dÄ›jin umÄ›nà AV ÄŒR, DÄ›jiny Äeského výtvarného umÄ›nà III/1 1780–1890, 1st ed., Praha: Academia, 2001.
[16] V. Volavka, Karel PurkynÄ›, 1st ed., Praha: SNKLU, 1962.
Published
2015-09-01
How to Cite
JEžKOVá, Tereza.
Fine Arts as Means for Studying Media History.
Култура/Culture, [S.l.], n. 10, p. 114-121, sep. 2015.
ISSN 1857-7725.
Available at: <http://journals.cultcenter.net/index.php/culture/article/view/156>. Date accessed: 01 mar. 2026.
Section
English Articles
Keywords
Media History, Fine Arts, Media Reception, Newspaper, Press, Reader, Czech Art

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).

Култура/Culture by MI-AN is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.