BIOGRAPHY: ALL LIVES OF (FORMER) MUSEUM OBJECTS
Abstract
With "life history of things" approach, devel-oped by archeologists and anthropologists, as museolo-gists and heritologists we can identify meaning trans-formations of the same thing, from its creating till today. This "biography" approach suggests thing’s unforeseea-ble semantic potential. So, museum object is not just evidence of certain past, but it potentially testifies about all its pasts, i.e. realities. This premise is recognized as a starting point for insight and analysis of different memory cultures and its transformations through the thing’s "life", and for developing a fusion between herit-age theory and museology, memory culture and bio-graphical approach to things. We can identify presences and absences in collective memory and its ever changing interrelation, organized or spontaneous, with personal memory and memory of other groups, like family. Thus, (former) museum object is potential testimony of its museum sojourn, professional, social and political con-texts of acquisition, interpretation, presentation and, at last, putting away in boxes, or of its shifting to another institution. These premises are examined on example of entirety of former museum objects from, now closed, Museum of Illegal Partisan Printing Offices in Belgrade, SerbiaReferences
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[17] R. Jacoby, The End of Utopia: Politics and Culture in an Age of Apathy, New York: Basic Books 1999.
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[19] V. Dedijer, Parizanske stamparije, Beograd: Kultura 1945.
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[2] C. Holtorf, “Notes on the Life History of a Pot Sherd,” Journal of Material Culture, vol. 7, pp. 49-71, March 2002.
[3] D. Basta, Z. Jovanović, Muzej ilegalnih partijskih štamparija, Beograd: Muzej grada Beograda 1966.
[4] E. Domanska, ″The return to things,″ Archaelogia Polona, vol. 44, pp. 171-185, 2006.
[5] I. Kovačević (ed.), Muzej grada Beograda 1903-2003, Beograd: Muzej grada Beograda 2003.
[6] I.Kopytoff, “The Cultural Biography of Things: Commoditization as Process,” A. Appadurai (eds.) The Social Life of Things. Commodities in cultural perspective, pp. 64-90, Cambridge University Press, 1986.
[7] I. Maroević, Uvod u muzeologiju, Zagreb: Zavod za informacijske studije, 1992.
[8] J. Assmann, ″Collective Memory and Cultural Identity,″ New German Critique, no. 65, pp. 125-133, Spring - Summer 1995.
[9] K. Pomian, Collectors and Curiosites: Paris and Venice, 1500-1800, Cambridge: Polity Press, 1990.
[10] M. Juvan, Intertekstualnost, Novi Sad: Akademska knjiga 2013.
[11] M. Shanks, ″The archaeological Imagination. Creativity, rheto-ric and archaeological futures″, in: M. Kuna, N. Venclova (eds.), Whiter archaeology? Archaeology in the end of the millenium, Prague 1994.
[12] N. Vukov, Vizualizations of the Past in Transition: Museum Rep-resentations in Hungary, Romania and Bulgaria after 1989, CAS Working Paper Series No. 2, Sofia 2009.
[13] P. Ricoeur, Time and Narrative, Chicago: University of Chicago Press, 1990, vol. 1.
[14] P. van Mensch, ″Towards a methodology of museology,″ PhD diss., University of Zagreb, Croatia, 1992.
[15] R. Bart, Lekcija. Pristupno predavanje održano na Kolež de Fransu, održano 7. januara 1977. Godine, Loznica, Srbija: Karpos 2010.
[16] R. Barthes, S/Z, Oxford: Basil Blackwell, 1974.
[17] R. Jacoby, The End of Utopia: Politics and Culture in an Age of Apathy, New York: Basic Books 1999.
[18] T. Šola, Prema totalnom muzeju, 1st ed., D. Bulatović, Ed. Bel-grade, Serbia: Centre for Museology and Heritology, 2011.
[19] V. Dedijer, Parizanske stamparije, Beograd: Kultura 1945.
[20] Ž. Bogdanović „Besmrtna mladost,“ NIN (Weekly Informational Newspaper), no. 1262 (16.3.1975), 32.
How to Cite
VASILJEVIĆ, Marija.
BIOGRAPHY: ALL LIVES OF (FORMER) MUSEUM OBJECTS.
Култура/Culture, [S.l.], n. 8, p. 131-139, mar. 2015.
ISSN 1857-7725.
Available at: <http://journals.cultcenter.net/index.php/culture/article/view/122>. Date accessed: 19 apr. 2024.
Section
English Articles
Keywords
life history of things, biography of things, mus-eology theory, post-socialism, transition
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